You Live Here.

We all live here.

12 notes

Work as a collections manager or registrar provides a consistent source of party small talk material, of the guess-what-I-did-at-work-today variety. We puzzle over the best way to preserve paintings done on discarded pizza boxes, we rediscover stunning Tiffany vases and 1950s Dior gowns in storage, we become experts on obscure local figures, the origins of street names, and neighborhood politics in response to a new accession that requires cataloging.

Recently I organized a display in the auditorium lobby of the Museum of History and Industry, And Now For Something Completely Different: Unexpected Artifacts from the Museum’s Collection. Visually communicating some of the more unusual aspects of museum work, this display showcases a few of the quirky (a 1930s coin purse made from a mink’s head) to the frightening (a 1870s medical scarificator used for bloodletting) objects uncovered in MOHAI’s collection.

Featured in the exhibit are a few recent acquisitions. Butterworth Mortuary, a Seattle fixture since 1892, recently donated a 1930s mortician’s cosmetic kit and an embalming table that dates from 1886. The table’s eye-catching Pennsylvania-Dutch style design is almost charming – until one remembers that the perforations were used for drainage rather than as a strictly stylistic choice.

The exhibit features a model of the locally-invented prosthetic “Seattle Foot,” a set of early and disconcerting dental instruments, and a brass diver’s helmet from ca. 1890. Also on display is a piece of artwork by local artist Dorothy Rissman, whose 2008 “Hairshirt: I Love Dick’s” repurposes discarded Dick’s Drive-In hamburger wrappers.

There’s a mug carved from a walrus jaw – four teeth are still intact; it’s a souvenir from 1930s Alaska that one hopes was used to store pencils rather than serve coffee. There’s a lamp fashioned from three reindeer legs (no word on what become of the remaining leg), an 1895 X-ray “therapy” machine, and WWII-era Japanese Katana sword with a large bullet hole in the blade.

-Tracy Buck, Collections Manager, Museum of History and Industry, Seattle, WA for University of Washington’s Museology Graduate Program Newsletter

THIS. This is why I want to work in collections. This is why I’m getting my MA in Museology. So this can be my life.


Filed under museums museology seattle washington university of washington life dreamz collections collections management

  1. littletoulouse reblogged this from zedislepidus
  2. beyondmywildestdaydream reblogged this from zedislepidus
  3. geekybones reblogged this from zedislepidus
  4. zedislepidus posted this